Those of you who follow me on Facebook know that I've been putting up a new fence over the last couple of weeks. Besides the satisfaction of days of hard work, it also gave me a chance to catch up on podcasts from
Wizards of the Coast,
Writing Excuses and
Science Friday. Well, the fence is up and after a few more hours of staining this morning I'm calling it a win! That also gave me a chance to get in a couple of interviews from one of my favorite podcasts of all time,
Adventures in SciFi Publishing.
I've been a fan of AISFP for many years. Shaun Farrell and then-co-host Sammantha Wynns were a regular part of my writing day. I'd wake up, put on a 45-60 minute episode, and then do my chores before getting my butt in the chair. I'd feel accomplished getting things done around the house while my brain warmed up for putting words on the page. Today I treated myself to a pair of interviews I'd been looking forward to for months from two very cool authors I had the pleasure of meeting at last year's World Fantasy in Toronto.
It was
Travis Heermann's novel "
Heart of the Ronan" that first caught my attention at WFC's signing event. Heart is a Japanese-history-inspired action adventure (and you know how much I enjoy Asian-inspired fantasy), but in this most recent interview he's discussing his newest novel "
Rogues of the Black Fury". In Rogues, Travis explores what modern day special forces training would look like in a renaissance-inspired fantasy setting. I love stories that speculate how history may have been different if certain things had been discovered earlier, and though Rogues isn't an alternate history, I'm fascinated by the juxtaposition of renaissance-era technology and modern tactics. Shaun and Travis also discuss the pros and cons of podcasting your novels and the risks of modern e-publishing techniques devaluing an author's work in the public eye.
Tina Connolly described her first novel, "
Ironskin", as "steampunk Jane Eyre with faeries, but really it's none of those." Once she started explaining what she meant, I was hooked. The story is set in a post-WWI inspired world, where their war had been between fae and humans. Tina's faeries aren't Tinkerbells and Petalwings either, they are dark, unseelie faeries and the main character, Jane Eliot, is a war survivor whose face had been damaged by shrapnel--shrapnel that carries residual magic which curses its disfigured victim. The only way she can keep the curse at bay is to wear an iron mask. PTSD in this post-war world involves nightmares of fae possessing the dead bodies of loved ones, forcing survivors into a routine of cremating their dead.
There is something about the way Tina melds and twists the fae/human relationship with imagery from
The Man in the Iron Mask and
Foyle's War that intrigues me.
If you haven't checked out AISFP, don't wait. There are hundreds of hours available. Shaun,
Moses Siregar and Brent Bowen discuss what's happening in the publishing industry as well as posting interviews with new and established authors. You can find the interviews with Tina and Travis linked below and if these books sound as interesting to you as they do to me, link over to AISFP, Amazon or, better yet, stop by your FLBS and pick up some copies.
AISFP Interview with Tina Connolly
AISFP Interview with Travis Heermann
It was Travis Heermann's novel "Heart of the Ronan" that first caught my attention at WFC's signing event. Heart is a Japanese-history-inspired action adventure (and you know how much I enjoy Asian-inspired fantasy), but in this most recent interview he's discussing his newest novel "Rogues of the Black Fury". In Rogues, Travis explores what modern day special forces training would look like in a renaissance-inspired fantasy setting. I love stories that speculate how history may have been different if certain things had been discovered earlier, and though Rogues isn't an alternate history, I'm fascinated by the juxtaposition of renaissance-era technology and modern tactics. Shaun and Travis also discuss the pros and cons of podcasting your novels and the risks of modern e-publishing techniques devaluing an author's work in the public eye.
Tina Connolly described her first novel, "Ironskin", as "steampunk Jane Eyre with faeries, but really it's none of those." Once she started explaining what she meant, I was hooked. The story is set in a post-WWI inspired world, where their war had been between fae and humans. Tina's faeries aren't Tinkerbells and Petalwings either, they are dark, unseelie faeries and the main character, Jane Eliot, is a war survivor whose face had been damaged by shrapnel--shrapnel that carries residual magic which curses its disfigured victim. The only way she can keep the curse at bay is to wear an iron mask. PTSD in this post-war world involves nightmares of fae possessing the dead bodies of loved ones, forcing survivors into a routine of cremating their dead.
